Isidora Cortés-Monroy Gazitúa

Isidora Cortés-Monroy Gazitúa

First Name: 
Isidora
Last Name: 
Cortés-Monroy Gazitúa
Title: 
PhD Student
Biography : 

Isidora Cortes-Monroy is a PhD Candidate at the University of Toronto’s department of Italian, Spanish and Portuguese and a research fellow at the Institute of Environment, Conservation and Sustainability. Her research investigates 20th and 21st century representations of mining sites in Chilean and Bolivian film and literature. Her academic work has been published in Environmental Communications and Critical Humanities. In addition, she has published and won awards for her short stories that explore gender violence within Latin American contexts. Her works have been published by The Bristol Short Story Prize, Jane Austen Literacy Foundation, and Leno and Bandini publishers.

Education: 
BA, University of Manchester
MPhil, University of Cambridge

People Type:

Areas of Interest: 

Environmental Humanities; Indigenous Studies; Literary Studies; Film Studies; Narratology; Creative Writing Creative Writing

Program:

Cohort:

Dissertation Title: 
Narratives of Extraction: Representation of Mining in Chilean and Bolivian Literature and Film
Dissertation Supervisors: 
Prof. Eva-Lynn Jagoe
Dissertation Description: 

My thesis examines some of the ways extractivism and its correlative ideologies have been represented in northern Chilean and Bolivian literature and film during the early 20th and 21st century. It compares works produced during two periods of large-scale extraction in both zones, identifying how ideas of modernity and progress inform and are informed by the racialized and classed social relations that form at the zone of extraction. By examining the literary and cinematic representations, I analyse how writers and filmmakers can enforce or challenge the beliefs surrounding extractivism using their chosen medium. I situate my work in today’s lithium boom occurring in the region, reading these historical narratives as precursors of contemporary “green” extractivism. As a scholar and creative writer, I believe this turn to past narratives – both distant and recent – is crucial to informing the ways we resist this new cycle of extraction.  

Presentations: 
"Rhizomatic Landscapes and Memory in Patricio Guzmán's Nostalgia de la Luz." Envisioning the Earth: Exploring Eco-Criticism and Environmental Relations, LCTSU Academic Journal and Conference, July 2022.
"Dumping in the Desert: Invisible Extractions in the Atacama", Petrocultures Conference, Stavanger, Norway, 2022.
“Landscapes of Extraction and the Promise of a Future in turn-of-the-century Atacama Desert.” Asociación Canadiense De Hispanistas, Ottawa, Canada 2023.
“‘The Mountain That Eats Men Alive’: Monstrous mines in Jaime Mendoza’s En Las Tierras del Potosí (1911) and Kief Davidson and Richard Ladkani The Devil’s Miner (2006).” American Comparative Literature Association, Montreal, Canada, 2024.
“Past Extractions: Nostalgia, Childhood and Masculinity in Andrés Sabella’s Norte Grande.” Northeastern Modern Languages Association, Philadelphia, U.S.A., 2025.
“In This House: When Reader Meets Character.” Creative Work presented at Northeastern Modern Languages Association, Philadelphia, U.S.A., 2025.
“Fuelling plot: Reading for Energy in Hombre Eléctrico (2016).” International Society for the Study of Narrative, Miami, U.S.A., 2025.
“Response from a Young Lady in Paris.” Creative Work presented at Primer Congreso de Escritura Creativa en Español, Houston, U.S.A., 2025.
“The Texture of Extraction: The Affordances of Slowness in Antiextractivist Documentary.” Modern Languages Association, Toronto, Canada, 2025.